Gracie Fojtik (she/her) is San Francisco based Actor, Writer, Director, Producer, and Teaching Artist. Gracie is originally from the mountains of Park City, Utah, and has chased art across the world since she was 15. From Interlochen Arts Academy, to Fordham University, to Moscow, to The American Conservatory Theater in San Francisco. She’s always found a story to tell, create or dive into. Gracie has performed at Williamstown Theatre Company (Community Works), participated in readings with Middle Voice at Rattlestick Playwrights Theatre and Primary Stages, Studied with the Moscow Art Theatre and trained to become a Yoga Teacher in Chicago, proving she has never been very good at staying in one place.
Gracie is currently rounding out her second year as a M.F.A. acting student with A.C.T., working as a teaching artist in San Francisco, and is a co-creator of an in house (no literally, in house) production company with her roommates during the pandemic called gnut house productions. Where they wrote, produced and acted in multiple filmed shorts all to be released in 2021. Her most recent collaborative creations, The Garden Will Not Crumble, and Routine were shown at A.C.T. in 2021. As a multidisciplinary artist, Gracie’s drawn to innovative, at times silly, disruptive, curious, revealing, queer, feminist, surprising art. Gracefojtik.com @graciefojtik
Some Credits: Orpheus in the Berkshires (Williamstown Theatre Festival), Warm Gentle Fuzzy Cold Prickly (Williamstown Theatre Festival), The Villagers (reading with Middlevoice at Rattlestick) and Meadows (Hudson Guild Theatre). Educational Theatre credits include: Macbeth directed by Dawn Akemi Saito, and The Orphan of Zhao directed by Ralph Peña.
For more credits please head to Resumes
"As We Lay Dying" by Alexandra Stasiuk
New Work - Interlochen Arts Academy
"Action" by Sam Shepard
"Louisiana Garbage Kings" by Vivian Brown
New Work - Digital Developmental Festival
"I like Fantasy because I can Escape the Real World" by James Kenna
New Work - Developmental Workshop
Photo By: Kyra Conroy
I am currently in Citizen Artist Training at the American Conservatory Theatre, and acting as a Teaching Artist through their education department. I have taught students from ages 8-18 in group settings. I am available for private coaching as well. Contact for details.
One of my greatest joys is creating and adapting stories for the stage. I have been lucky enough to collaborate and devise on many projects with my peers. As well as write multiple solo shows. Contact for writing Samples.
Connective Tissue (Devised): Directed by Wesley Guimarães
Dead Seagull Bloody Seagull (Devised): Directed by Jason Beckman
Cherry Orchard Piece (Devised): Directed by Ilja Bocharnikoves
The Departure (Devised): Directed by Gulshirin Dubash
Little Nemo In Slumberland (Assistant Director): Directed by Peter McNally
Theatre Making - Mark Jackson - American Conservatory Theatre
Creative Movement - Lisa Townsend - American Conservatory Theatre
Ètude Work - Sergei Zemstov and Ilja Bocharnikovs - Moscow Art Theatre
Flying Solo - Daniel Alexander Jones - Fordham University
Collaboration 1 - Matthew Maguire and Cassandra Freedman - Fordham University
Collaboration 2 - Daniel Alexander Jones and Chad McArver
Solo Performance Writing - Ryan Haddad - Williamstown Theatre Festival